Inflection Point in Literary Mama

I joined the staff of Literary Mama in the spring of 2014, shortly after I finished my MFA program. I'd published my first short story there, six years earlier, and had published an essay about finding models of mother protagonists in fiction--an adaptation of my thesis introduction--in the Literary Reflections department the previous month. My pre-MFA writing instructor Kate Hopper was resigning from editing the Literary Reflections department and recommended me as her replacement. At the same time, the editorial assistant for the department, Libby Maxey, moved up to take the other department editor position, vacated by Christina Speed. 

Libby and I enjoyed eight years of highly compatible co-editing until she moved over to help run the Poetry department around a year ago. We became good friends, even though we didn't speak to each other outside of email until 2018, when I joined the Senior Editor team, of which Libby was already a member and began to participate in conference calls, and we didn't meet in person until last summer. Libby was the first reader of the first draft of Uphill Both Ways, and she's always been my go-to when I have a sticky editorial question or any question at all about poetry. I was a little afraid we might not be as compatible in real life as we were over email, but we talked nonstop for a solid four hours when we got together, and I'm pretty sure we could have kept going if we didn't have time constraints.

I've made other good friends in my years at LM, including former editor Amanda Jaros, who was another UBW early reader and a kindred spirit in the mother-nature-writer realm (and who is coming out with her own hiking memoir soon!). I really enjoyed working with the senior editor dream team we had for several years with Amanda, Libby, Christina Consolino, Amanda Fields, and Hope Donovan-Rider at the helm. And it's been a joy to be part of this literary community and experience its growth and change of the last almost-decade.

But all good things must come to an end, and at the end of this month so does my term at LM. I'm leaving the Literary Reflections department in good hands, and looking forward to stretching my writing muscles in new, possibly not motherhood-related directions. As a swan song, I penned an essay that's been bubbling under the surface for even longer than I've been an editor at LM. Please enjoy what Libby referred to as an "origin story" of a Literary Mama editor: "Inflection Point: The Birth of a Mother Writer," in which I weave together the many stages in my lifelong dream of becoming a writer with the monumental effort of getting to a writing conference when my kids were small:

Six months before the conference 

You learn about the annual conference of writers from your writing instructor and look it up online. It will be held in April in the state where you grew up, where your family still lives, 1,800 miles away from where you live now. You check the school calendar, but the week of the conference does not align with the week of your kids’ spring break, so you won’t be able to turn it into a family vacation.

I wanted to write as soon as I could read. In second grade, I decided I was going to be an “author” when I grew up. I’m not sure I knew what that meant, but Betsy Ray of Maud Hart Lovelace’s Betsy-Tacy books wanted to be an author, and so did I.

Five months before the conference 

You spend all your discretionary funds Christmas shopping and don’t have the money to register before the early bird deadline.

My third-grade teacher was big into creative writing and had us write a lot of poetry and short stories. I enthusiastically filled up her green poetry sheets with banal verse, clichés, and made-up words like “scrumpdillicious,” and she enthusiastically marked each page with a red A+.

You can read the rest of the essay here. Enjoy!